Caspar David Friedrich1774-1840 Caspar David Friedrich Locations | |||
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The Abbey in the Oakwood ID de tableau:: 58868 Voir la galerie dans Suède |
The Abbey in the Oakwood The Abbey in the Oakwood (1808?C10). 110.4 ?? 171 cm. Alte Nationalgalerie, Berlin. This painting has been described as like "a scene from a horror movie, it [forebears] all the Gothic clich??s of the late 18th and early 19th centuries". The_Abbey_in_the_Oakwood_(1808?C10)._110.4_??_171_cm._Alte_Nationalgalerie,_Berlin._This_painting_has_been_described_as_like_"a_scene_from_a_horror_movie,_it_[forebears]_all_the_Gothic_clich??s_of_the_late_18th_and_early_19th_centuries". |
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Edvard Munch ID de tableau:: 58869 Voir la galerie dans Suède |
Edvard Munch Edvard Munch, The Lonely Ones, (1899). Woodcut. Munch Museum, Oslo Edvard_Munch,_The_Lonely_Ones,_(1899)._Woodcut._Munch_Museum,_Oslo |
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Paul Nash, Totes Meer ID de tableau:: 58870 Voir la galerie dans Suède |
Paul Nash, Totes Meer Paul Nash, Totes Meer (Sea of the Dead, ', ', ', ', ', ', ', '), 1940?C41. 101.6 x 152.4 cm. Tate Gallery. Nash's work depicts a graveyard of crashed German planes comparable to The Sea of Ice (above). Nash described the image as a sea, even suggesting that the jagged forms were not metal but ice Paul_Nash,_Totes_Meer_(Sea_of_the_Dead,_',_',_',_',_',_',_',_'),_1940?C41._101.6_x_152.4_cm._Tate_Gallery._Nash's_work_depicts_a_graveyard_of_crashed_German_planes_comparable_to_The_Sea_of_Ice_(above)._Nash_described_the_image_as_a_sea,_even_suggesting_that_the_jagged_forms_were_not_metal_but_ice |
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Ivan Shishkin, In the Wild North ID de tableau:: 58871 Voir la galerie dans Suède |
Ivan Shishkin, In the Wild North Ivan Shishkin, In the Wild North (1891). 161 x 118 cm. Kiev Museum of Russian Art Ivan_Shishkin,_In_the_Wild_North_(1891)._161_x_118_cm._Kiev_Museum_of_Russian_Art |
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Old Heroes Graves ID de tableau:: 58873 Voir la galerie dans Suède |
Old Heroes Graves Old Heroes' Graves, (1812, ', ', ', ', ', ', ', '), 49.5 x 70.5 cm. Kunsthalle, Hamburg. A dilapidated monument inscribed "Arminius" invokes the Germanic chieftain, a symbol of nationalism, while the four tombs of fallen heroes are slightly ajar, freeing their spirits for eternity. Two French soldiers appear as small figures before a cave, lower and deep in a grotto surrounded by rock, as if farther from heaven. Old_Heroes'_Graves,_(1812,_',_',_',_',_',_',_',_'),_49.5_x_70.5_cm._Kunsthalle,_Hamburg._A_dilapidated_monument_inscribed_"Arminius"_invokes_the_Germanic_chieftain,_a_symbol_of_nationalism,_while_the_four_tombs_of_fallen_heroes_are_slightly_ajar,_freeing_their_spirits_for_eternity._Two_French_soldiers_appear_as_small_figures_before_a_cave,_lower_and_deep_in_a_grotto_surrounded_by_rock,_as_if_farther_from_heaven. |
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